Reviewed by GREG KING Director: M Night Shyamalan Stars: James McAvoy, Samuel L Jackson, BRuce Willis, Sarah Paulson, Anya Taylor-Joy, Spencer Treat Clark, Charlayne Woodard, Luke Pierce, Adam David Thompson, M Night Shyamalan. In Glass, filmmaker M Night Shyamalan brings together the central characters from 1999's Unbreakable and 2016's Split for a climactic showdown that brings to a close this unofficial trilogy. At the end of Split, Shyamalan did include a post credits sting that hinted that the film was a part of the Unbreakable universe, but he had to wait a …
OCEAN’S EIGHT
Reviewed by GREG KING Director: Gary Ross Stars: Sandra Bullock, Cate Blanchett, Anne Hathaway, Sarah Paulson, Helena Bonham-Carter, Rihanna, Awkwafina, Minday Kaling, James Corden, Richard Armitage, Elliott Gould, Griffin Dunne, Dakota Fanning, Richard Robichaux, Marlo Thomas, Dana Ivey, Elizabeth Ashley. Last year we had the all-female remake/reboot of the 80s cult comedy Ghostbusters, which opened to lacklustre reviews and box office returns. And now we get this all-female reboot of the comic crime caper Ocean’s Eleven. …
THE POST
Reviewed by GREG KING Director: Steven Spielberg Stars: Meryl Streep, Tom Hanks, Bob Odenkirk, Sarah Paulson, Bruce Greenwood, Bradley Whitford, Tracy Letts, Matthew Rhys, Alison Brie, Carrie Coon, Jesse Plemons, David Cross, Zach Woods, Pat Healy, Michael Stuhlbarg, Justin Swain. Steven Spielberg’s latest serious drama looks at true story behind the Washington Post’s publication of the Pentagon Papers, the leaked documents that showed the full extent of America’s involvement in the Vietnam War over four decades and revealed how …
CAROL
Reviewed by GREG KING Director: Todd Haynes Stars: Cate Blanchett, Rooney Mara, Kyle Chandler, Jake Lacy, Sarah Paulson, John Magaro, Kevin Crowley, Sadie Heim. Director Todd Haynes returns to the morally conservative America of the 1950s for this nicely observed, sensitive, insightful and introspective coming of age story and intimate exploration of a female relationship, gender, loneliness, and queer sexuality in conservative America. But this moody story of forbidden love is largely a character driven piece, and has a different texture and feel than Haynes' earlier …