GOOD TIME

Reviewed by GREG KING Directors: Benny and Joshua Safdie Stars: Robert Pattinson, Benny Safdie, Jennifer Jason Leigh, Buddy Duress, Taliah Webster, Barkhad Abdi. The low budget indie crime drama Good Time is the latest film from the Safdie brothers (Benny and Joshua), whose films like Daddy Longlegs, etc, often explore the struggles of losers who live on the edges of society. This is a gritty and downbeat black comedy and heist drama with plenty of energy. Connie Nikas (played here by Twilight's Robert Pattinson, cast against type) is a Continue reading

MELBOURNE INTERNATIONAL FILM FESTIVAL 2017 – REVIEWS

ALL FILMS REVIEWED BY GREG KING LAST UPDATED AUGUST 13, 2017 FINAL PORTRAIT. In 1964, renowned portrait artist and sculptor Albert Giacometti passed away soon after completing his final painting. He had painted a portrait of American journalist James Lord, who had come to Paris for a brief visit. The portrait was only supposed to take a couple of days, but the increasingly frustrated Lord spent a couple of weeks with the mercurial artist in his Paris studio. Final Portrait is a passion project for writer/director Stanley Tucci who has been nurturing the film Continue reading

MORGAN

Reviewed by GREG KING Director: Luke Scott Stars: Kate Mara, Rose Leslie, Anya Taylor-Joy, Toby Jones, Paul Giamatti, Michelle Yeoh, Boyd Holbrook, Vinette Robinson, Jennifer Jason Leigh, Brian Cox, Chris Sullivan, Michael Yare. Morgan: A Suitable Case For Termination? In a remote laboratory, a team of scientists have artificially created a young girl who has highly developed mental faculties. Morgan (played by Anya Taylor-Joy) has largely been raised in isolation and has little outside stimulation to shape her understanding of the world. She is confined to a Continue reading

THE HATEFUL EIGHT

Reviewed by GREG KING Director: Quentin Tarantino Stars: Samuel L Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins, Tim Roth, Bruce Dern, Michael Madsen, Demian Bechir, Channing Tatum, Zoe Bell, James Parks. Quentin Tarantino returns to the wild west for his eighth film. But he also tries to return to the epic style of cinema popular in the 50s and 60s, shooting in the long dormant 70mm format. He also includes a rousing orchestral overture at the start, a glossy souvenir program with notes about the production, and an intermission break to try and recreate Continue reading