Reviewed by GREG KING


Director: Mark Lewis.

This fascinating, informative, slightly irreverent, thoroughly entertaining and engaging documentary is a belated follow up to Mark Lewis’s 1988 documentary Cane Toads: An Unnatural History.

Using archival footage, Lewis briefly retraces the history of this poisonous pest, which was originally introduced into Australia from Puerto Rica in the 1930’s to combat the greyback beetle that was destroying sugar cane crops. The toads had been successful in Hawaii, but in Queensland they were a massive failure. Instead they became a massive problem for Queensland, an ecological nightmare for northern Australia. With their toxic secretions they are also a danger to domestic pets. And now with a breeding cycle that produces between 30,000 and 40,000 eggs twice every year, there are over 1.5 billion of them, and they seem indestructible. In the past 60 years they have spread across northern Australia in an inexorable march that now sees them. threaten Western Australia.

Out of necessity much of the information presented here is essentially repeating material from the original film, although Lewis’ stance towards the ugly creatures seems to have softened. However, what makes Cane Toads: The Conquest stand out from other wild life documentaries is its distinctive sense of humour.

Lewis finds plenty of differing opinions on the cane toad, and he introduces us to a range of colourful characters, from scientists to self-aggrandising politicians to every day people. The talking heads interviews though are done with an exaggerated style in keeping with Lewis’ tongue-in-cheek approach. Some of the anecdotes are very amusing. Monica Kraus, the happy little girl seen fondling her pet cane toad Dairy Queen returns all grown up and reminiscing about her friendship with a creature that many more vilify. One of the more fascinating characters he introduces this time is Kevin Ladynski, an entrepreneur who operated a travelling “toad show” featuring elaborate dioramas constructed with stuffed toads. Sadly he overestimated the appeal of the toads for the public and went broke! There are many laugh out loud moments and re-enactments, especially as Lewis depicts some novel ways for dealing with the virulent pest – from cricket bats to lawn mowers to sky rockets.

The gorgeous cinematography of Kathryn Milliss, Paul Nichola and Toby Oliver captures the often harsh beauty of the landscapes, and enriches the film. Many shots are from the toad’s point of view, giving us a more intimate insight. This is the first independently financed documentary to be shot in 3D. Unlike other films retrofitted for the process, here it actually adds to the marvellous visual style and is used effectively.




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